Thursday, July 28, 2011
Peter Murphy's "Tale Of The Tongue;" Should The World Fail To Fall Apart's Anniversary
A stellar, yet strangely obscure Peter Murphy track has just been released on CD worldwide for the first time; however, it's just one jewel in a veritable diamond mine.
"Tale of the Tongue," for some reason, was only widely released as a 12" single in 1986. With a hair-raising vocal performance soaring above a hard-charging sonic maelstrom, one would think, today, that it was one of the Dark Prince's biggest hits. But alas, no.
Hopefully, it will get much more exposure as it has just been included in Cherry Red Records' anniversary packaging of Murphy's first solo album, Should The World Fail To Fall Apart (Oddly, "Tale" was only included in Polygram Canada's 1986 release, bumping "Canvas Beauty"). Though the album wasn't as popular, in the Peter Murphy catalog, as say, Deep or Love Hysteria, it is an important bridge between the singer's days in Bauhaus, his project with the late Mick Karn (Dalis Car), and later, more mainstream success... if the Goth icon has ever been "mainstream."
Twenty-five years later, Should The World Fail... remains a beautiful record that reflects an artist boldly taking steps in new directions without completely abandoning his past. Besides a famous cover of Magazine's "The Light Pours Out Of Me" and the live staple, "Final Solution," it contains the aforementioned "Canvas Beauty," which has long been a sentimental favorite of mine. Though we have never discussed the mystery of "Tale of the Tongue" in our interviews, Murphy did explain "Canvas Beauty" to me back in 2000.
Murphy has just finished a spring-summer tour of the U.S. in support of his new album for Nettwerk, Ninth.
Tuesday, July 19, 2011
Antarctica, As Visualized By Vangelis
One of the most breathtaking films I've ever seen, 1983's Antarctica is a beautiful, sometimes harrowing speculation of what might have happened to a team of sled dogs immediately after they were abandoned in a South Pole storm. The Japanese film is based on a real incident/adventure that occurred in 1958; the ill-fated expedition also inspired the Disney film, Eight Below — which I refuse to see. Antarctica's a quiet classic, very spare on dialogue and heavy on first-rate cinematography as it follows the dogs' efforts to survive.
"Quiet classic" may be a misnomer, as the soundtrack by Vangelis is as vivid and tone-setting as the camera work. I'm not the biggest Vangelis fan, but this is a minor masterpiece — and as integral to this film as his previous work was for Blade Runner. Chariots of Fire certainly made Vangelis white-hot for awhile; after Antarctica, he scored the hauntingly gorgeous music for the Hopkins-Gibson film, The Bounty.
While the Antarctica soundtrack is readily available on CD, inexplicably the movie has never been released on DVD outside of Japan and Hong Kong. Hopefully it will make its way west soon.
Friday, July 15, 2011
Winnie The Pooh, Guardian of Childhood Innocence
The ingeniously cute poster art first attracted my attention... the gang floating in a frame-filled sea of honey. Then Disney floated Keane's "Somewhere Only We Know" through the trailer (below) to further pull heartstrings. I didn't get to preview it, but according to Roger Ebert's review, the new Winnie The Pooh movie delivers on the beauty - and nostalgia - promised in the ad campaign. I'll go see it with my wife; if only we could borrow a small child to share the film with.
Winnie The Pooh draws from three original Milne short stories, and features all of the characters we began loving so long ago — altogether in the gentle, hand-animated style of the classic films. The introduction of Craig Ferguson as Owl and John Cleese as the narrator certainly has potential. I'll miss Sterling Holloway's and Sebastian Cabot's famously reassuring voices, but time marches on.
Thankfully, Pooh is still in his 100-acre wood, a tubby bear with a shirt a few sizes too small for his appetite... and a de facto caretaker of our childhood innocence.
- Steve Stav
Friday, July 8, 2011
Carrie Akre Sings Her Goodbyes
After so many years of saying hello from the stage, Carrie Akre sure knew how to say goodbye, as well. With the help of some friends, last night's sendoff at the Crocodile was more than poignant, more than memorable... it was a great, great night of music.
Seattle's Princess of Rock (Ann Wilson will always be Queen) has taken a job in Minneapolis. Her house is packed up, and presumably she's on the road this weekend. Once you get past the eyebrow-raising fact that one of the greatest voices and songwriters in Northwest rock history has a day job (such is life), the idea of such a fixture, such a backbone being gone is a hard pill to swallow.
Last night made it a bit easier, and a bit harder, to wash that pill down.
Her musical cohorts, admirers and quasi-protegees came out in full force, of course. Those on stage included Amy Stolzenbach, Sean Bates, Rachel Flotard, Mark Pickerel, the fabulous Friel brothers, Danny Newcomb... I lost count.
After Hammerbox and Goodness, Akre boldly launched a genre-crossing solo career that revealed the true, vast extent of her talent. Last night's show seemed to not only remind of us of what we'll be missing, it reminded us of Akre's many facets: soulful singer-songwriter, duet balladeer, ass-kicking rocker.
The show began emotionally — Akre came out early to sing with one of her heir apparents, stunning opener Star Anna — and finished on a raucous, yet even more emotional note. In between were amazing duets with Flotard, Jared Clifton, Matt Gervais... the Friels and Kim Virant came out to sing "Thank You For Being A Friend." Tears were shed. Then Goodness reunited, with Rick Friel added on bass. The place went nuts for an indeterminable duration. Akre sang her heart out, — as she always has — shed some more tears, signed some autographs, and then was gone.
I broke one of my rules and got an autograph, it seemed like the thing to do. I hadn't seen Carrie in several years, and it's been a decade since my only interview with her. But she remembered me immediately. That's the kind of performer Akre is — thoughtful, funny, brilliant, generous. We'll see Carrie Akre again in Seattle - on tour, on vacation, whatever. But it is an end of an era. Akre wasn't part of the community's fabric, she was part of its stitching, a stitch that has flowed through two decades of music here.
Much more could be written today, but last night was the perfect "Aloha," saying all that needed to be said.
- Steve Stav
Wednesday, June 29, 2011
The London Suede Reissues Studio Catalog, Launches Tour
In the wake of successful reunion gigs and a Best Of disc released in 2010, UK dream merchants Suede (known elsewhere as The London Suede) announced on June 29 the reissue of all of their studio albums this summer.
Deluxe, vastly expanded editions of 1993's Suede, 1994's Dog Man Star, 1996's Coming Up, 1999's Head Music and 2002's A New Morning will be released, in turn, every other week from now until late August. The highly influential band's website is taking pre-orders, with bonus incentives attached.
For those who spent the Nineties preoccupied with grunge, Lilith Fair acts or other phenomenon, this might be an opportune time to discover (or re-discover) some major players in a scene that was playing itself out across the Pond. Clearly inspired by mid-80s Manchester and other forces, Suede in turn laid a sonic bed of roses - thorns and all - for later acts to rest their heads upon. Their timeless offerings could certainly be mistaken for "new" on alternative radio today.
Heartthrob frontman Brett Anderson stated in a press release that "... this is the definitive collection of pretty much everything we released in 14 years together - and some stuff which we didn't. It's all re-mastered and includes unreleased, never-before-heard oddities and gems which even I'd forgotten about. It's the complete audio history of a band and, like any band of interest, it's flawed, strange and sometimes beautiful".
The band is scheduled for an exotic summer tour that includes dates in the Middle East, Asia and Europe.
Tuesday, June 28, 2011
Lykke Li — "I Follow Rivers," and Another Music Renaissance
It may be an odd admission to hear from a music journalist, but I don't think I've enjoyed new music this much since the 1980s. Great, "independent" sounds seems to be pouring into my radio and computer in a torrent from all over the globe, making me as giddy as a 16-year-old waiting in line for tickets to see a new sensation named Madonna.
In between yelling at kids to stay off my lawn and cleaning the heads on the Betamax, I'm catching up on the comings and goings of Swedish sensation Lykke Li. "I Follow Rivers," produced by her pal Bjorn Yttling of Peter, Bjorn and John, is my obsession for the week, though it was released this spring.
Though the video by Swedish director Tarik Saleh is breathtakingly gorgeous, I actually prefer the acoustic "Live On The Moon" version (see below). Not only does simplifying the arrangement accentuate the sensuality of Li's voice, the clip gives a deserving, nifty nod to the song's Sixties roots.
- Steve Stav
Monday, June 27, 2011
Perry Mason And The Case For Same-Sex Marriage
Classic episodes of Perry Mason have been irresistible to me for about 25 years now, since high school. Its predictability was part of its appeal, strangely enough. Episode after episode, the famed Los Angeles attorney, his secretary, Della Street, and private eye Paul Drake would come to the aid of someone falsely accused of murder. Forty-five minutes' worth of cool cars, Mad Men wardrobes and fresh-off-the-bus-from-Kansas starlets later, Mason would extract the truth from the real culprit.
Indeed, Perry Mason was all about justice, no matter how damning the evidence seemed, or how little money the defendant had. In turn, actor Raymond Burr became synonymous with justice with his iconic portrayal of Earl Stanley Gardner's legendary character.
Offscreen, Burr's philanthropy and humanitarianism was impressive, and well-known. His beneficiaries included countless law students and numerous needy children. He had the strongest of work ethics, and was reportedly widely admired by Perry Mason's cast and crew. Barbara Hale (Ms. Street), for one, remained loyal to Burr until his death.
I write about Perry Mason today because, during Gay Pride Month and in the wake of the fortuitously timed legalization of gay marriage in New York State, I must confess that — of all people and situations — it was Perry Mason who prompted me to fully accept the concept of a same-sex union.
You see, Mr. Mason, defender of so many damsels in distress, was homosexual. Raymond Burr, to my astonishment, was a gay man.
I, like most others, did not learn of this fact until years after Burr died in 1993, at age 76. According to various articles and two biographies, the very private actor fabricated some of his personal life, including possibly more than one marriage. In the innuendo-only Forties, Fifties and Sixties, the idea of an openly gay celebrity was obviously unthinkable; you couldn't even get Liberace to address the subject. And for good reason. Twenty-five years after the public learned of Rock Hudson's preferences, the revelation of an actor's homosexuality still prompts a scandal of minor or major proportions... somehow.
Burr reportedly willed the bulk of his estate to his dedicated, yet secret partner of thirty-plus years, who was at the actor's bedside when he passed.
I grew up in the Seventies and Eighties, when the terms "homo" and "faggot" were almost as common in school hallways and playgrounds as "dork" or "loser." That's a difficult environment to forget, especially with my Don Rickles - inspired sense of humor. Though I've never been on a mission to prove my heterosexuality, you've never seen me at a gay bar or on the sidelines at a Gay Pride parade, either. You still won't, even though I have gay and lesbian friends... not acquaintances, but friends. Though some of my favorite actors and musicians are gay or lesbian, I will still avert my eyes from two men kissing on television, or in public. I can't help that; human sexuality has been and will always be a tricky, often unfathomable subject. It certainly makes for some interesting contradictions.
Today, it's odd to think that I had to learn, over time, that a person's sexual preferences — which are often cast not in black & white, but in varying shades of grey — aren't any of my business. They're not anyone's business.
Opposing same-sex marriage, to me, is not a vote for decency, nor is it a "nay" vote for granting "special privileges." It is a vote to marginalize and demonize someone — a bus driver, a soldier, a schoolteacher, an actor — for what they might choose to do in the privacy of their home. Let's not pretend it's anything else. Let's not pretend that this legislated prejudice doesn't trickle down to the bullying of gay kids, or doesn't translate into denying someone other freedoms and/or opportunities. Marriage is often overrated, but human beings are technically equal under U.S. law, and everyone should have the right to be as potentially foolhardy as the next hooplehead. Life is hard enough without our government and our religions judging our neighbors, family and friends by who and how they love, for god's sakes.
Ah, the elephant in the room. If one's god dictates that someone made in His image is wrong, even Hell-bound, for loving another person... then perhaps one should reconsider his choice of deity. Church leaders who want to legislate "decency" should be using their considerable political influence to ensure that the poorest among us can afford food, housing and a doctor. That's decency.
It's time for evil distractions to cease. It is past time to officially ignore those whose ridiculous upbringing in fear and ignorance has caused so much pain for others. Cops no longer assault and courts no longer incarcerate our neighbors for their sexual preferences. Let us, state by state, take the next magnanimous step and seat the busybodies, the charlatans, the fear-mongers and the apathetic in the back of the bus for a change.
We can discuss this topic forever. In the end, though, it all boils down to Perry Mason, to Raymond Burr. I know that it's a simplistic, perhaps odd example. However, it's shamefully sobering to consider that a man of such fine character had to hide his identity, had to hide his lover and companion from the world. Even more importantly, the irony that our society decided Burr was not fully entitled to the justice he so memorably championed is not only sad, it's also so very, very wrong.
- Steve Stav
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