The Impossible Dream, made possible

We suspend our disbelief so easily when it comes to transforming robots, the Force and pointy eared aliens, but when it comes to comprehending how men could actually journey to the moon, we're still at a loss.

Imagine, just imagine standing on a cold piece of rock that a few generations before, some folks were convinced was made of cheese — or was inhabited by exotic animals. Since the dawn of man, this bright orb in the sky was the object of wonder, of worship, of dreams and prose.  And now you're looking at rocks, dust, little hills through the visor of a suit that's keeping you alive. You look up and see a beautiful ball, a big blue marble that contains everything and everyone you've ever known. While you're taking in this astounding sight, wars are being fought, triumphs are being celebrated, old men are gasping their last breaths, babies are taking in their first. All on this bright sphere in the distance.

Hours go by in a flash, and it's time to pack up your lunar picnic basket and start the last leg of the boldest, most dangerous adventure a man has ever undertaken. Three days later, flames lick at your plummeting tin can; you and your two fellow travelers splash into the ocean, instantly becoming the most unique and most envied people on the planet.

Although you have traveled so far into the sky, you're hardly a superman back on earth. Once you were separated from your neighbors by over 200,000 miles, but you're back home now... back to lawn mowing, grocery shopping, traffic jams and barking dogs. Every day for 40 years, someone wants to shake your hand while you recall your fantastic journey, a journey that only a handful of people understand. Every night for 40 years, weather permitting, you gaze up at this moon, this alluring alien land that you once claimed for all mankind. You stare and imagine that you can see the footprints — your footprints — that still mark its surface. And you must wish, "If only I could do it again."

Michael Jackson, and a moment of clarity

Yesterday, we mourned the tragic, untimely death of the King of Pop; his life was eulogized by the King of Opportunism, Rev. Al Sharpton, and his musical and humanitarian legacies were celebrated around the world.

But who mourned the tragedy that was the last 20-odd years of Michael Jackson's life?  

Michael Jackson, the man, or Michael Jackson, the icon, positively affected and inspired millions of people, as evidenced by the global response to his passing.  Just think what Michael could have accomplished over the past two decades if he hadn't become unhinged.

Of all the controversies that have resurfaced in the past two weeks, Michael's mental and/or emotional decline is one that has not been disputed.  Anyone who saw the re-runs of the Martin Bashir interviews was reminded of how deeply disturbed Michael had become.  The singer clearly needed psychiatric help, but apparently wasn't getting any.

Of course, Michael's fans chose to interpret the over-the-top signs of illness as the traits of a misunderstood, eccentric, child-like innocent.  They seemed to view him not as a man, but as a musical messiah or an all-powerful, benevolent alien sent here to right the wrongs of the world.  But, as they witnessed yesterday, Michael Jackson was, in the end, merely a man, a man whose children no longer have a father.

A man whose death, in all likelihood, will be linked to his profound problems.  A man who was removed from reality, a king that was seemingly above the medical profession, and quite possibly, the law.  A ruler that had more or less lived in exile for the past 10 years.  A performer with unprecedented talents and unlimited potential whose illness(es) —  undoubtedly sparked by the double-edged sword of superstardom — turned him into the butt of jokes for almost 20 years.

It's beginning to sink in that the most meteoric celebrity in world history is dead.  We've watched the videos over and over again, and mourned not only the loss of an icon, but the loss of our youth.  And now that the man is laid to rest, that little nagging nugget in the back of our minds can resume asking the question, "What the hell happened, Michael?"

The question of the ages.  Michael left behind one of the most complicated histories and mysteries of any figure, and it will never be completely unraveled.  We're at the tip of the scandal iceberg; decades of wildly conflicting views and opinions and unauthorized biographies has just begun.  The opening salvos of the legal and financial battles haven't yet been fired.  The freak show that was Michael Jackson's later life has folded its tent, but the big top will be in town for a long time to come.

As we indulge our sick, morbid curiosities and watch this circus go through it's three-ring act again and again, let's occasionally put down the popcorn and pause for a moment of clarity.  Let's shake off the cloak of denial that coats our precious memories in warm fuzziness.

Michael Jackson was a kind, generous, unique, gifted and very, very troubled man who achieved something that few have ever achieved —  and that something swallowed him up and took him to places that we would never, ever want to go.

More popular than Neil Armstrong

Of all the unforgettable music moments captured on television, a handful truly stand out: Elvis' and the Beatles' Ed Sullivan appearances, Madonna not-so-virginally writhing on the ground at the MTV Music Awards, and Michael Jackson breaking into the moonwalk at the Motown 25th Anniversary Special.

The latter performance is the first thing that comes to mind when contemplating Jackson's legacy, a day after his death. The Thriller premiere was a huge, huge event that epitomized the effect of the music video, but Jackson's first TV moonwalk — people went out of their minds when that occurred. Unbelievably influential.  The next morning, people all over the world were trying to imitate his moves, and that backwards glide.

Jackson had dazzled us with Off The Wall, but this was something entirely different. He had a new look, new choreography and a new sound that was instantly omnipresent. The Thriller album was on fire for more than two years — seven singles!  And "Billie Jean," with that moonwalk... that was the groove of the decade.

And, like witnessing Elvis' "Don't Be Cruel" and the girls screaming for McCartney, you had to be there on May 16, 1983 to grasp the enormity of Michael Jackson's impact, this unbelievable display of talent.

I'm not the only one today choosing to ignore the past 20 years and remember a man at his most glorious.

The Ventures’ Bob Bogle, 1934-2009

Above anyone else, Bob Bogle made me feel that I had made the "big leagues" as a music journalist. Ten years ago, I interviewed Bob and Ventures bandmate Don Wilson by phone for a story for The Rocket; they were to play a gig in Seattle, and I later arranged to meet them for the sound check and say hello to the rest of the band.

When I caught up to Bob that afternoon, he reached into his wallet, unfolded a piece of paper, and asked if he had gotten my number and address right when we had talked earlier.

Bob Bogle, rock 'n' roll legend, had my name and number in his wallet! I had made it! I told that story for years afterwards. The truth is, I was nobody special, but Bob made every journalist, fan, and fan/journalist feel important. In a band filled with the most gracious musicians one could ever meet, Bob was the nice guy. In a group of humble giants, he was the most humble. A guitar player's guitarist, he achieved a popular version of the American Dream: he was a construction worker with very meager beginnings who became one of the most-heard rock musicians in the world.

And now he is gone, and I am crushed. I knew Bob was very sick, and I thought this day might very well come, but the news of his death has hit me harder than I expected. Or I'm just selling Bob, and myself, a bit short. After all, I've been a Ventures fan since birth, and the privilege of catching a few minutes' worth of conversation with Bob Bogle here and there over the past ten years — well, that tops just about anything I've ever achieved as a writer.

I've enjoyed chatting and interviewing every member of the Ventures, but backstage, somehow I always eventually gravitated towards Bob. Everyone did. Mild-mannered, he was nonetheless a great storyteller, if asked. Before a show, he was often seated away from hustle-and-bustle in the room. Bob once told me, as he approached 70, that conserving energy was the key — in other words, he saved it for the stage. Oh, Bob had a sense of humor. I recall during that first interview how he and Don were explaining their decades-long relationship. They were best friends who never fought.

"We're not gay or anything," Bob added, "just best friends."

Professionally speaking, Bob Bogle was a supremely influential and very skilled guitarist, though he was more well-known for his bass playing and songwriting. He and Don, performing as a duo on that famous first tour of Japan, introduced the electrified rock 'n' roll guitar to that country. The two defined the relationship of lead-and-rhythm guitars in a rock band, and anyone who has ever caught a Ventures show could tell he enjoyed playing lead guitar — he would perform a couple of numbers, with Nokie Edwards or Jerry McGee switching to bass. However, Edwards and McGee were more accomplished players. So Bob simply became a great, great bassist, the band's anchor. A practical, humble man.

Bob told me on several occasions that he could never imagine retiring, could never imagine not being a Venture. And he got his wish. To my knowledge, Bob had spent time in a recording studio every year for almost 50 years. Amazing feat, amazing man.

I once prepared a sandwich for Bob Bogle, rock 'n' roll legend. I've occasionally let that tidbit drop ever since the first story got old. I think I will boast about both "events" from now on. After all, Mr. Bogle, a man who never forgot where he came from, somehow made everyone feel that they had made it, too.

My heart and thoughts go out to Bob's wife Yumi, the band, longtime Ventures manager Fiona Taylor, and especially Don Wilson, who was at his side for more than 50 years.

Photo: Bob Bogle, Steve Stav and Don Wilson, June 1998.

Hit the Ground Running

Ah, we're back -- my Webmaster has fixed some technical issues, including the all-important ability for you to comment on my meanderings and sketchy work... see below.

New in the archived Aural History section are 2000 interviews with Dave Dederer, Sushirobo, Deke Dickerson, Dorkweed and my first chats with Dave Alvin and Tim Finn.

The Finn feature has particular sentimental value to me. Done to promote his beautiful Say It Is So album and an upcoming gig at Seattle's Tractor Tavern, it proved to be a revealing conversation with one of my teenage "New Wave" idols-turned-favorite singer-songwriters. Super-nice, down-to-earth gentleman with an amazing talent and great voice.

Interestingly enough, my future wife was at that Tractor Tavern show -- I hadn't seen her since 1987, when we parted ways in college. And I didn't see her at the gig, either; while she filed out of the club, I went backstage to sit with Tim on the Tractor's loading dock. No matter, the stars eventually aligned themselves.

The photo here of Andrea and Mr. Finn was snapped by me, backstage at the Paramount Theater after a 2004 Finn Brothers concert. If she looks a bit giddy, it's because she was.

Booker T: A side of Green Onions

I never would have imagined seeing Booker T in Mount Vernon, Wash.

Not there's anything wrong with Mount Vernon. Nice, picturesque place in the middle of farm country, west of the mountains and east of the Sound. And the gorgeous, historic Lincoln Theatre has had a lot of talent on its stage.

But Booker T? The groove-master was a long way from home.

Though the May 16 show was nearly sold out, it still seemed like a "secret show" two days before his gig at Seattle's swanky Triple Door, more than an hour to the south. And man, what a secret show it was. It took a few numbers to get used to sitting in ancient theater seats instead of at a table with drinks, listening to Booker T's Hammond. And there was no dance floor to get on the good foot to "Green Onions." But again, what a night.

On tour to support his solo "Potato Hole" record, he essentially had a pick-up band of veteran hot-shots backing him (Neil Young and the Drive-By Truckers were on the disc). By the third number from "Potato Hole," the crowd forgot all about the DBTs, or the MGs, for that matter. Smokin' Telecaster player from Mavis Staples' band, trading off with a crafty Gibson player. A classic axe combination. Good rhythm section.  Hot band, no doubt inspired by who they were performing with.

And the new material was pretty good, too; R&B with an Americana undertone. "Reunion Time" really stood out, very pretty. Oh, and Booker T didn't disappoint everyone who came for a trip down memory lane: "Green Onions" and "Hip Hug Her" were fabulous; "Melting Pot" was mind-blowing. Booker T introduced every song, and subtly reminded us that he wrote "Born Under A Bad Sign." Incredible -- and the B3 legend sang it well! The closer, an extended jam of the all-time classic, "Time is Tight" got everyone up on their feet -- where they should have been the whole night. Encored with Tom Waits' "Get Behind the Mule."

Exceedingly gracious, Booker T lingered long after the show, signing and chatting with the fans. Yes, the man was a long way from home, but we all went home feeling very lucky that he made the trip.

Welcome to stevestav.com

Welcome to the launch of Stevestav.com. This actually more like a "beta version" or a tentative first step; it's a little drafty in here now, but it should fill up soon. 

I know very few journalists who have neat desks, or know the exact whereabouts of an old article. I wish I could be one of those rare writers, but I'm not. My wife has been bugging me for a couple of years to get my files together, and preserve them on a website. I've always replied, "I'm too busy writing this week's piece to look at old ones." 

But I've found it is important to take a look back, and more importantly, to preserve my work digitally. Heck, I've got to dig out all those negatives while there are still labs to process them! Scan articles before the paper becomes too brittle!

Like too many journalists, I've written for a number of publications that are no longer in business — starting with the late, great Seattle institution, The Rocket.

Other magazines and newspapers don't bother to maintain their online archives very well. More good reasons to get my act together and do this. 

However, Stevestav.com is not merely an archive — that aspect will probably take a year to complete. It will also be a collecting point, a directory of sorts, for new (or newer) arts and entertainment articles and photos that can be found elsewhere on the web.

Additionally, I will be re-editing some "classic" interviews. Some of those were unfortunately cut to fit available space, and other interviews contained some interesting comments and/or conversations that weren't appropriate or focused enough for the article, or a particular publication. So I'm going through a lot of tape; look for some expanded "director's cuts" in the future. And some never-published features will finally see the light of day. My news work? I'll keep that out of this site. Music and film is much more interesting — to me, at least.

And then there's the blog... this is the first entry, and probably the longest. Stevestav.com will have two regular features — on Friday's blog, I'll select a clip from YouTube for discussion; the "Mixtapes" section will offer commentary on some of my favorite — and recommended — playlists.

I'd like to thank my wife for her support, and for making this site possible with a lot of work that I don't have the brains for. New York hard-rock journalist Gail Worley and her great site, The Worley Gig, has been an inspiration. A special "shout out" goes to my friend John Shoemaker, an old-school Seattle music veteran whose advice and support has always been invaluable.

Thank you very much for reading, and please come again.

— Steve Stav 


Above: Billy Bob Thornton, in a better mood, and lovely Virginia Madsen, Seattle, 2007. Photo by Steve Stav.